Goichi Suda and his team at Grasshopper Manufacture have carved out a very specific niche. Starting with the likes of Killer7, No More Heroes and Lollipop Chainsaw, the developer has mastered the grindhouse aesthetic and where most of the time “kitsch” is a pejorative term, with Goichi Suda, it’s a creative weapon. Romeo is a Dead Man is the latest…
I’m going to simply copy in a big chunk of my original review of Neptunia X Senran Kagura: Ninja Wars on PlayStation 4 for this review of the new Nintendo Switch edition. I almost wasn’t going to play this version at all, as the updates that were being trumpeted in…
Read MoreThe second Fire Emblem Warriors game is just around the corner now. Fire Emblem Warriors: Three Hopes will release on June 24, and if the Koei Tecmo’s first take on Fire Emblem was anything to go by, this is going to be something special indeed. Three Hopes will be significantly…
Read MoreIt’s a lightgun game where the lightgun aim doesn’t work properly. It’s an arcade game that offers no challenge no penalty for running out of lives. It’s a remake that has lost all the atmosphere and appeal of the base game. Congratulations, developer MegaPixel Studio, I genuinely have no idea…
Read MoreI’ve already reviewed Gal*Gun: Double Peace twice – once on import when it was originally released, and then again when PQube localised it for the rest of the world. I don’t have too much to add to either of those reviews in terms of an analysis of how they play,…
Read MoreConan Chop Chop wants to sit somewhere between Gauntlet and Hades. It wants to be an action roguelike with a moreish loot system, but also being orientated heavily towards bringing four friends together for some button-mashing chaos. Unfortunately, it’s much too inconsistent to reach the heights of either genre-defining great,…
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