On the brilliance of the new wave of surrealist, avant-garde, “anti-game arthouse” game experiences

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Feature by Matt S. Antonin Artaud’s play, Jet Of Blood (sometimes translated from its native French as “Spurt Of Blood”) opens as follows: YOUNG MAN: I love you and everything is beautiful. YOUNG GIRL: [With quavering voice] You love me and everything is beautiful. YOUNG MAN: [In a lower tone]…

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Aussie indies: on what it was like to develop in Flash, and moving to more robust platforms

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Feature by Harvard L. Macromedia Flash, for all its benefits and pitfalls, was a revolutionary platform for the gaming industry. Before it, game design only happened in dedicated studios, with difficult programming languages being a barrier of entry into the industry. A game was a big project requiring a team…

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Game Theory: On pin-up art, Dead or Alive, and why it’s not objectification

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It was delayed a month, but nonetheless Dead or Alive Xtreme 3 will be released in just a few short weeks. I’m battening down the hatches against the media response to that one. Actually, in all seriousness, I doubt it will be anywhere near as controversial as that. In a…

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Developer roundtable: On why Australian development has had its best year ever

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It might be a contentious statement to make, but 2015 has proven to be the best year on record for independent video games from Australia. With a major government push for funding a couple of years ago bearing fruit, we’ve seen the product of the last couple of years start…

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