Matt S. is the Editor-in-Chief and Publisher of DDNet. He's been writing about games for over 20 years, including a book, but is perhaps best-known for being the high priest of the Church of Hatsune Miku.
The release of Virtue and a Sledgehammer, the latest from Selkie Harbour, Deconstructeam, and Devolver Digital, is right around the corner. We’re going to have a review of what is a pretty provocative and powerful entry into the “games as art” genre, and we certainly had some questions for the developers about it. For those who haven’t been following along:…
Here’s the thing: I find that a lot of gaming-focused mice don’t put ergonomics particularly high on the list of priorities. That’s not to say they can’t be comfortable, but the focus is very clearly on the design and the features that will give the user a competitive edge. And…
Well, fellow Final Fantasy fans, here’s our chance. For years now we’ve…
A persistent issue I have with video game adaptations of stories from…
Back in 2023 (dear lord, time flies fast), Paranormasight: The Seven Mysteries of Honjo was a surprising release by Square Enix. By that company’s standard, it was a humble and straightforward visual novel, but clearly the execs had seen the success of Danganronpa, AI: The Somnium Files, Famicom Detective Club…
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Mario Tennis Fever is one of Nintendo’s weakest titles in years, and certainly its weakest tennis title. This is tragic because I loved Mario Tennis back on the N64, Game Boy, and Game Cube. Let’s start with the story mode. On the one hand, I do congratulate the developers for…
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Snow Bros. Classic Collection is a misnomer, as the classic Snow Bros. isn’t on it. That’s also possibly why the game has fewer than four reviews on Steam nearly a month after it was released. Snow Bros. is a classic. Fellow DDNet contributor, Alex, and I might have the occasional…
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Jen Williams has seen the future, and like many of us, she’s worried about it. The studio lead at Cherrymochi, the Japan-based indie outfit behind the cult hit Tokyo Dark, spent the early 2000s working with Hewlett-Packard on GPS-triggered gaming experiments in Bristol. Back then, everyone was certain they were…
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Goichi Suda and his team at Grasshopper Manufacture have carved out a very specific niche. Starting with the likes of Killer7, No More Heroes and Lollipop Chainsaw, the developer has mastered the grindhouse aesthetic and where most of the time “kitsch” is a pejorative term, with Goichi Suda, it’s a…
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Just a few weeks ago I was saying how impressive it was that Square Enix managed to squeeze Final Fantasy VII Remake onto the Switch 2, at such a quality fidelity. Now it’s Koei Tecmo’s turn: I didn’t think Dynasty Warriors: Origins could work on the Switch 2. But it…
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Dragon Quest VII did need a reimagining. I don’t say this as a criticism, as it is my favourite Dragon Quest of all time. But it is undeniable that it is a massive, weighty, lengthy thing, to the point of being inaccessible. Making some small concessions and compromises to that…
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To start this review with something very personal: My father passed away last week. It’s been difficult, to put it mildly. The reason I bring it up is that Dad absolutely loved Ten-Pin Bowling. Had his own ball, ball bag (I had no idea they made bowling ball bags), shoes,…
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Having not played the original Code Vein, I have no idea whether Code Vein II is effective in building on it, or whether the two games are related at all. What I do know is that Code Vein II is an excellent soulslike. One that starts quite slowly, but has…
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It’s incredible that Final Fantasy VII Remake Intergarde plays so well on the Nintendo Switch 2. Much like how having The Witcher 3 playable in a handheld format with the Switch felt like some kind of wizardry, this has the same effect, with the one difference being that it felt…
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