I’ve been making my way through the surprise-dropped Tomb Raider Definitive Edition that landed on the Switch a few weeks ago, and with two new Tomb Raider games just announced (albeit with a new publisher), that turns out to have been good timing to remind myself of the direction that Crystal Dynamics has been taking the character and her adventures.…
Octopath Traveler 0 isn’t really Octopath Traveler. It’s good. It’s even excellent, frequently and for long stretches of time. But it’s not Octopath Traveler for this very simple reason: Both the original Octopath Traveler and its sequel told the stories of eight (“Octo”) different people, who would eventually come together…
Bubble Bobble is one of the greatest games ever made, and it’s…
I first heard of Demonschool about three and a half years ago,…
Tetris Forever is, in one sense, not really a collection of games for Tetris fans. The game library includes multiple different versions of Tetris, which is more like a Tetris spin-off than actual Tetris. There are also three different versions of Hatris, which is categorically not Tetris at all. There’s…
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It’s easy to wonder why Square Enix would go to such great effort to remake one of the oldest Dragon Quest titles. After all, the HD-2D engine they’ve applied to Dragon Quest III would have made the SNES trilogy positively sparkle, and those titles are far more renowned for their…
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For the first time the now-iconic Yakuza series is on a Nintendo platform. To an extent you could question just who this port of Yakuza Kiwami is for, as it is obviously a drop down in fidelity over what is available elsewhere. On the other hand, this has been an…
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First and foremost, Dragon Age: The Veilguard isn’t a Dragon Age game. It doesn’t look like one, it doesn’t play like one, and while there are cameos that superficially resemble the heroes of the original series, it doesn’t tell a story like one either. Unlike actual Dragon Age titles, it’s…
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Writing horror is a tough gig. It’s challenging for writers to create and maintain fear and tension. Horror needs to be character-driven and it needs to make the audience care about the horrible things that are happening to those characters. Meanwhile, it’s difficult for visual artists because even the slightest…
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Crayon Shin Chan has been around since 1990, and I’ve been aware of his existence for nearly that long. However, being honest, I’ve largely steered clear of his adventures, mostly because the pitch here is for a younger audience that will appreciate his mix of youthful naivety mixed with a…
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I’ve been playing hidden object games to chill out for twenty years. They may soothe my mind, but they don’t remain there — everything blurs together over the years. A few titles in the genre have stood out recently (such as Crime O’Clock), but Hidden in my Paradise raises the…
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Ys isn’t the oldest JRPG property out there, but it’s one of them, and it’s also one of the most prolific. If you ignore all the re-releases and just concentrate on the main series, there is just one period where there was a substantial hiatus (1996-2002). Otherwise, the longest fans…
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At some point, someone sat down and decided to make an RPG which would be narrative-heavy, but it would be almost entirely emergent narrative. Where every plot direction and key moment was a consequence of the player’s actions. Where characters and their personalities would be entirely defined by player decisions,…
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On the one hand, the people behind I*CHU: Chibi Edition have done the world a big favour. The developers and publishers (PQube in the West) have taken a mobile gacha game that was effectively killed a half-decade ago and given players the opportunity to enjoy it in its full glory…
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