Review: Shiren the Wanderer: The Tower of Fortune and the Dice of Fate (Nintendo Switch)

10 mins read

Review by Matt S. 

It is appropriate to make the core motif of a Shiren the Wanderer game – a genuine pioneer in the now saturated roguelike genre – that of fate and fortune. The roguelike, after all, depends entirely on the metaphoric roll of the dice, to determine everything from the dungeon layouts to the monsters that you’ll fight, and the thing that keeps you playing is, typically, the promise of finding amazing loot in the unknown. It was not surprising to me in the slightest that PlayStation Vita darling, Shiren the Wanderer: The Tower of Fortune and the Dice of Fate, despite being modest of appearance and a most traditional Mystery Dungeon roguelike, would continue to pull a crowd. That’s why we now have it on Nintendo Switch, and while the updates to it are mild from that Vita release, the core game is well worth a replay.

Shiren the Wanderer, way back when now, was the series that really established the Mystery Dungeon formula, and as such, it deserves the credit for all the swears and curses that player have directed at it since. As a twist on the procedural generation of the all-time classic, Rogue, Shiren the Wanderer delighted in knocking players out, and then forcing them to start again at ground zero, at level 1, with no money, and all the loot they had just acquired taken away from them. There was a limited ability to save particularly precious items at certain intervals, but once you’d stashed away a particularly powerful sword or shield, you would become incredibly hesitant to actually use it, because to pull it out of storage was to risk losing it the moment you came across a particularly nasty monster.

If you’ve not played a Shiren title before, all of this probably seems drastically unintuitive and punitive. In fairness, for anyone who hasn’t become enamoured to the formula (Stockholm Syndrome-style) it likely is, since more modern Mystery Dungeon games have found ways to mitigate against the risk of complete devastation if a dungeon crawl goes awry. The Pokemon Mystery Dungeon games, for example, keep the dungeons themselves relatively brief in length so that the impact of a long delve that results in a knock out is lessened. Chocobo Mystery Dungeon, meanwhile, lets you keep your experience levels and equipment on a KO, even if it strips away the cash you’d accumulated and items. Shiren the Wanderer avoids capitulating to such “softening,” and it is the real deal, with brutal difficulty curves and all. There’s an audience for that, though, and while it might feel like it should be a small one, a lot of people do get drawn into the web of Mystery Dungeons.

Shiren is followed around by an acerbic and yet charming ferret-like buddy. That pal doesn’t participate in battle and he’s pure window dressing, but he’s an essential companion on the quest nonetheless. The enemies are also as cute as any we’ve seen this side of Square Enix’s Mana and Dragon Quest titles, and the sense of reward for actually making progress in Shiren the Wanderer is astronomical. The game actually has a scoring system, and trying to beat your previous best score is as compelling as actually completing the game. On top of that, for the Nintendo Switch port, Spike Chunsoft has implemented small little features, such as a tweaked interface that allows for a better streaming experience. Yep, you better believe that Shiren the Wanderer is a game that is beautifully suited to streaming. The randomisation of the levels and loot, the personality of the game, and the fact that a lot more people would rather watch it than feel the frustration themselves, means that Spike Chunsoft has done a very wise thing making this game streamer-friendly.

Another benefit, as far as the streaming goes, is that Shiren the Wanderer doesn’t beat around the bush. It’s a game of snappy pace and few words. As I noted in my review of the game on PlayStation Vita, it’s actually quite effective with the words that it does use, and represents the Japanese philosophy, aesthetic, and storytelling tradition better than people tend to give it credit for, but streamers don’t need to worry about hours of front-end tutorials and cut scenes before they can get to the audience engagement gold. This is a side note, but I find it quite charming that Spike Chunsoft has bookended the year like this. Earlier in the year, there was Katana Kami which, while being darker and gorier visually, was a roguelike take on the Hyakki Yagyō – Night Parade of One Hundred Demons – storytelling tradition in Japanese folklore. Shiren the Wanderer, while bright and colourful, has ended the year in the same way. Spike Chunsoft is a company that has a long, proud heritage of bringing this authentically Japanese folklore tradition to videogames, and if there’s any single way to describe this Shiren he wanderer, it’s just that. It’s a work of heritage, and you can feel that as you play.

Ultimately, Shiren is a game about failure, in the same way that FromSoftware’s Souls games would become, many years after the first Shiren landed on the scene. It’s a game about learning to balance risk with safety, learning to “read” the levels by making mistakes in them, and learning from enemies by falling to them. Though each enemy only has a few different attacks and very simple AI, to succeed at Shiren you need to develop an intuitive understanding of just how many times you’ll need to attack an enemy to defeat it, just how to move around to limit your exposure to any special attacks, and when you’re at the right experience level to move to the next dungeon floor. You’ll often find the staircase to the next floor quickly on any delve, but to immediately rush up it will often be a mistake as you’ll be under-levelled for the threats above, and there’s no way to backtrack down levels. It’s only through having the patience to replay levels and learn them to the point of instinct that you’ll make progress. But you will, indeed, start to make progress and, even when you’re in the same position on each re-start, you’ll start to find that what was once challenging has become much easier.

As mentioned earlier in the review, the new features in Shiren the Wanderer on Switch are limited, but there are a couple of all-new dungeons to play through. Each offers a new gimmick, such as one that reduces the amount of experience you get from defeating an enemy the more attacks that it takes, another limited the number of turns you have to complete the dungeon (the equivalent of a time attack mode for a turn-based game), and a third that prevents you from using weapons at all. These are all too gimmicky for me to enjoy personally, but will challenge completionist-inclined players to really master every element of the Shiren experience.

Shiren the Wanderer: The Tower of Fortune and the Dice of Fate was excellent on PlayStation Vita, and it remains excellent on Nintendo Switch. There are a lot of roguelikes available on this console at this point, but there’s something about the classical elegance and adherence to genre tradition that makes Shiren the Wanderer appealing. It’s a little like how some people still love the sound and experience of vinyl records, really. You’re not going to be blown away by innovation with this game, but you may well find yourself in love with its sincerity and near-perfect refinement. 

– Matt S. 
Find me on Twitter: @mattsainsb

The critic was provided with a copy of this game for review.

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