On the rebirth of the Star Ocean franchise

Shuichi Kobayashi

Anyone who has played a Star Ocean game in the past, particularly the previous two iterations, will be keenly aware that the most immediately evident thing about them is the raw content that they offer. Back when DVD technology allowed developers to fit games of the size and scope of Final Fantasy X comfortably on one disc on the PlayStation 2, we all thought that this spelled the end of multiple-disc game experiences. Final Fantasy VII, VIII and IX, were all spaced across multiple discs simply to fit the game in, but surely, we all thought, this no longer needed happen. We now had the storage solution that were able to meet the sheer capacity that interactive media could chew up.

Then Star Ocean 3 came along and it was spaced across two DVD discs. Before you would even start playing, it was almost an intimidating experience to know that you’re going to be playing a game that was too big to fit on the same disc technology that was big enough to house Final Fantasy X in its entirety.

Of course once you started playing that intimidation factor faded away and you would simply get lost on the massive, sprawling science fiction adventure. At the time there were no other JRPGs out there that could take you to multiple different planets that were each, individually, interesting and large enough that they could have been a full game in themselves.

That’s what Star Ocean fans want: massive, sprawling adventures. But Kobayashi and his team were concerned that their mandate to find new players could not be met if they created something that was perceived to be of a similar scale.

“One of the things a lot of the traditional fans of Star Ocean look for is that length of gameplay and volume and content,” Kobayashi said. “And on the other hand a lot of the newer fans might be put off by such a long game and need to experience and play so long to reach the ending.”

“How we have tried to balance that is to give the veterans plenty of reasons to come back – and to give new players that get hooked on the game the full Star Ocean experience once they’re comfortable with it,” Kobayashi added. “The main run through of Star Ocean 5 shouldn’t be too hard for players to complete reasonably quickly, but the extra difficulty levels that are available after completing the game are really there for players to go back and play it at a slower pace, and challenge themselves through the gameplay.”

Kobayashi and his team also looked at ways they could trim the unnecessary fat away from the Star Ocean games, without compromising the breadth and depth of gameplay. This lead them to the non-interactive cut scenes that so bogged down the experience of Star Ocean 4. That game has ten hours of non-interactive cut scenes, which certainly adds time to the play clock, but isn’t necessarily the most engaging approach to story telling, Kobayashi argued. The new game has just one hour of cut scenes.

“In terms of actual playable content, we actually have the same amount in there as in Star Ocean 4, but in Star Ocean 5 the game progression happens seamlessly between events and with no stopping. So it may feel slightly shorter as a result,” Kobayashi said, suggesting that the accessibility of Star Ocean 5 will be improved when it doesn’t feel like quite as much of a slog. “Now, events play out seamlessly where you’re still in control of the character.”

Fantasy, or science fiction?

The other quality that has made Star Ocean such a compelling franchise, especially over the last two games, has been the way it has moulded the traditional JRPG fantasy with science fiction elements. You’ll planet hop and gain access to some incredible technology, and yet at the same time you’ll be running around traditional dungeons and fighting using a combat system that vaguely resembles the classical, flowing action of a Tales game. You’ll come across villages and cities that don’t have much by way of technology at all, too. Where a proper science fiction JRPG, like Xenoblade Chronicles X, often pits you at odds with the natural world, the Star Ocean games much of the run time is spent in worlds where that technology wall between humanity and nature has not yet been built.

This has provided Kobayashi and his team with a handy solution in reaching out to new players; low tech fantasy worlds are far less inclined to be filled with jargon and terminology, and are therefore less likely to be intimidating for new players.

“On a thematic level I wanted a game that would be heavily based on the fantasy side of Star Ocean; at least in the early stages,” Kobayashi said. “I wanted to focus on one of the big themes that have come through the Star Ocean series: that of underdeveloped planets and the impact that modern technology has when coming into contact with that. We felt that was an interesting topic and a good one to focus on, as it helped to develop the ‘discovery of the exotic unknown’ theme that people like to see in their JRPGs.

“On a more practical level, too, because it has been seven years since the last Star Ocean, we expect a lot of players will come in to the game having not played it before. Rather than overwhelm them with all the concepts and terminology of Star Ocean right away, we wanted to start things out in an environment where we can slowly develop the ideas over time.

“So at first the balance of the Star Ocean 5 narrative is heavily skewed towards the traditional fantasy side of things, but in the second half we do start to introduce and develop the science fiction elements,” Kobayashi added.

On controversy and costuming

Star Ocean 5 hasn’t been immune to controversy (what blockbuster game is these days?). When players discovered that some changes had been made to the costume of one of the characters – specifically, her underwear – there was a predictable blow up within certain communities online, insisting that this was censorship.

Oddly enough the blowup also happened in Japan, because the costume was edited for all regions, and some Japanese fans were convinced that this was Square Enix caving to the puritanism of the west to the detriment of the game.

For his part, Kobayashi said that the costume edits were actually made for technical reasons. “I think there has been some misunderstanding there,” he said. “We haven’t deliberately changed the costumes in any way. What happened there, was that we discovered an output issue and we needed to make alterations to address that; it was a technical issue that we addressed to make the game look better.”

On a more broad level, however, Kobayashi said that he does believe that games should not have content edited by region. Star Ocean 5 was built with a global release in mind, and Kobayashi and his team wanted to make sure the game wouldn’t need to be edited to avoid causing deep offence to players in any region.

“I don’t like the idea of releasing different versions in different regions,” Kobayashi said. “Square Enix teams around the world got together at the beginning of development and planned out something that could work for everyone. We want people from all over the world to enjoy this game, and it was important to us that that would mean everyone should experience in the same way around the world.”

Star Ocean 5 releases on June 28 in North America and July 1 in Europe. It was released in Japan on March 31, and was well received by critics, scoring a 34/40 in Famitsu.

– Matt S.
Editor-in-Chief
Find me on Twitter: @digitallydownld