Whenever Americans tackle Japanese material or attempt to situate a film, TV series or otherwise in Japan, there’s an inherent tension between what works in American cinema and entertainment, and what is representing Japanese culture and aesthetics accurately. Too often, under these circumstances, the work turns out to be something like The Last Samurai – a big blockbuster, full of…
Whenever Americans tackle Japanese material or attempt to situate a film, TV series or otherwise in Japan, there’s an inherent tension between what works in American cinema and entertainment, and what is representing Japanese culture and aesthetics accurately. Too often, under these circumstances, the work turns out to be something…
Read More